Welcome Gary. When did you know you were a writer, and how did you develop your writing?
Tricky question, Joanne. From early childhood, I was drawn to stories told by my grandmother. She told stories about her youth, her music, her jobs, her family, her travels and her travails. She had a way of making drama out of the mundane. Her voice lilted in tones of suspension. As I got older, my interest is listening grew into an interest in telling. Since the heavy-duty emphasis from my parents leaned on truth and honesty at all costs, I was forced to learn the ways of performance, projection, nuance.
I love to talk, and to entertain. Writing, however, is something else, and I’ve been challenged by it most of my life. How to tell a story on a page, when you, imagine the audience, hear the voice(s) fighting for a say, sit alone in a room and drum your fingers on the keyboard. It helps to take classes, attend workshops and conferences, read aloud to peers and read everything: newspapers, magazines, short story collections, novels, how-to manuals, bumper stickers and warning labels on prescription drug bottles. I appreciate the courses and workshops I’ve participated in, because they’ve provided what I need most. Focus and Deadlines.
Do you always write in the same genre?
I consider writing to be writing, so I write, and have written, in many genres. I guess poetry is my basic connection between my experience and imagination, and my writing. I don’t tend to think in sentences. Images, phrases, voices. I write a lot without the self-proclamation of “I’m writing.” Notes on student papers, poems, short stories, agendas for meetings, speeches for others as well as myself, and so on. But, yes, I have aspirations to write good literary fiction, and I do work that on paper and in my head. It’s ongoing.
Do you have a special time or place you like to write?
Now, that could lead to some pretty good story-telling! My favorite place to write: Blue Mountain Lake in the Adirondack Mountains of New York State. My special time to write: Night Time.
Okay, the trouble with those conditions is time and place, and reality. I love being in the mountains, and I love staying up late. I have written a lot in those venues. The only problem is that the Adirondacks are a long way from wherever I might be, and late nights may stoke my memories but not much else. The solution, if that’s what takes, is adaptability and versatility. I practice writing any place, any time. I’ve trained myself to write scripts in my head as I walk. I remind myself that all time is usable, if I think it is.
I try to carry a few tools for writing at all times. You’d be surprised how many pieces of this and that swirl around us. Recycle litter into copy.
Why did you decide to become an Indie publisher, and would you recommend going the Indie route to other writers?
Hmm. Why, indeed. The traditional submission route worked for me when I had a full-time job that allowed me to hire a submission agency. The agency performed the market research and details of the copying, letter writing, mailing and archiving. All I had to do was supply the poems and stories. I started years ago, sending out poems and stories to magazines and journals that I wanted to appear in, and without any additional criteria, that made each submission a long shot. Now, I have no submission agent. I still have lots of manuscript copy lying around, and I feel even less desire to query editors and lick stamps than ever before. Get the drift here?
I studied/researched the self-publishing business for a long time before deciding to get involved. Founding West Main Productions, LLC, made me an official publisher, and I produced two collections of stories: Natural Causes (2008), and Do No Harm (2011). Working with The Troy Bookmakers of Troy, NY, I was able to make all production and marketing decisions for each book. The stories for the first book have been previously published in juried publications, as has one story in the second book. That assuages the “is this really acceptable work in the eyes of the gate keepers” worry.
Did I see that life was getting shorter, my publication time longer, and my dreams of literary stardom dimmer? Technology and confidence will lead you to Indie publishing. Traditional publishing isn’t going away, but the Indie option is respected, and it’s really about the same thing as the traditional route: finding an audience for your work. Both avenues lead to the same place, and only a few of us pull up in front of the Pulitzer Prize stage, regardless of the route.
Who are some of your favorite authors?
A favorite author turns out to be one I trust to take me in and teach me, entertain me, show me light, swat me upside the head, nauseate me, love and respect me. A few favorites: William Kennedy, John Gardner, Denis Johnson, Ian McEwan, Margaret Atwood, Louise Erdrich, Cormac McCarthy, Richard Ford, Ray Carver, Sue Miller, Philip Roth. Many poets—James Wright, Tony Hoagland, Anne Sexton, William Carlos Williams, Walt Whitman, June Jordan, Jim Gustafson, et al.
Why do you write?
A much tougher question than it first appears to be. It’s like ‘fooling around and falling in love’. The more I do, the more I do. As I’ve grown older, I’ve lost people, places, jobs, sports and things, but reading and writing, not. Instead of limiting my idea of myself as a writer by genre, I’ve continued an early tendency to try new writing challenges while maintaining solid connections with my secret sharer, my conscience. Walt Whitman and Langston Hughes help me stay the course. I need the help. Thank you, Joanne, for this opportunity to think about these things.
Thanks so much Gary. Here is a little about his life as an author.
Gary McLouth has published short stories in The Red Rock Review, The Cimarron Review, ELM, Studio One, Limestone, Minnetonka Review, The Baltimore Review and others. Poetry has appeared in Adirondack Life, Blueline, Emerson of Harvard, The International Poetry Review, Buckle &, and others.
Natural Causes and other stories published by West Main Productions, and Gary’s second collection of short fiction, Do No Harm are available on Amazon.com in standard print or eBook format. Gary has co-authored Men and Abortion with Arthur B. Shostak, edited A Man Named Nebraska, Guilty Without Trial, and a number of other book-length manuscripts. TV scripts supporting shows on Culture TV, “Media Matters” on the Ion TV network. Gary co-founded Todays Authors, a studio talk show recorded for broadcast on its own You Tube channel as well as TV aired as a public affairs offering in Albany, Syracuse and Buffalo, NY.
Gary is the President of the Gulf Coast Writers Association, a member of the Sanibel Writers Group #3, a participant in the Poetry Alliance, a featured poet in the Art Poems Project and a reader in programs sponsored by Big Arts on Sanibel Island. Other associations have included: The New York State Writers Institute; The Foundation for Mental Health; Poets & Writers; the Association of (college) Writing Programs.
Gary earned a Doctor of Arts in English at SUNY Albany where he won the President’s Distinguished Dissertation Award for Death and Other Frustrations. A Professor Emeritus at the College of Saint Rose in Albany, NY. He has been an adjunct English professor at Florida Southwestern State College (formerly Edison State College) in Fort Myers since January, 2011.
Professional experience as an arts administrator, college administrator, speech writer, MC for non-profits, writing consultant and independent video producer contribute to Gary’s ability to serve the various needs of potential clients.