Posted in authors, books, faction, history, military, non-fiction, novels

FACT BASED FICTION “FACTION”

Per Wikipedia, The Free Encyclopedia:

Faction is a literary genre, which utilizes fictional characters, and plot lines that must remain within the constraints of current reality. The authors tend to take current and recent-past events, and postulate what is likely or very possible to happen due to these events, utilizing current technology.

In this way faction differs from fiction, which does not have constraints to stay within reality, non-fiction novels, which take actual past persons and events and fictionalize their story….

                              *                        *                        *       

 By Vince D’Angelo

My time with the U.S. Navy in the Pacific provided many interesting experiences.  Since none involved combat or other heroics, I found little reason to share them. A houseguest’s curiosity about my military service compelled me to discuss those experiences. My guest found my anecdotes intriguing and suggested I write about them. After a few hastily constructed chapters, my guest commented, while still engaging, it read too much like a documentary. To me, the events were the facts and I couldn’t change them. Or, could I?

I recalled a book discussion on television where an author said his novel was based on actual events but fictionalized.  Asked if the novel was considered fiction or non-fiction, the author answered, “Faction”.  I heard the term used again in other literary discussions.

Thus, I embarked on writing a novel based on my experiences in the navy. I completed the manuscript; the process was easy since all I needed to do was to recall events. It met with praise…from family and friends and the former houseguest.  I titled it, Tales from the Pacific.

I was inspired to continue writing. So I cannibalized one of the chapters and expanded it into a novella titled, No-Name Island.

I decided to write another novel, this one based on my shore leave in Hong Kong, China; a British Crown Colony at the time. I was very much taken with the exotic Far East city.  It was the most memorable experience of my naval career and the inspiration for the new novel, Out of Hong Kong.

*                          *                          *      

BOOK COVER Vince De'Angleo

No-Name Island: Post World War II, a six-man navy detachment is sent on a highly classified mission to map a remote, uninhabited tropical island. Instead, they find a leper colony manned by a mysterious medical staff. Also, a hidden encampment of men and women survivors of an accidentally sunk Japanese hospital ship, who are not aware the war is over. Unlikely scenarios for romance? Not quite.

Out of Hong Kong Vince D'Angelo

Out of Hong Kong: A young navy officer on shore leave in Hong Kong unintentionally finds himself in a brothel. The girl assigned to him is a ‘first time’ teenaged virgin desperately attempting to earn quick money to free her parents enslaved by mainland communists. His attempt to save her from becoming a prostitute puts both their lives in danger. They fall in love but are forcibly separated. He goes back to his ship not knowing what has happened to her. He returns to Hong Kong numerous times over the years, attempting to find her.

Thanks to Vince D’Angleo for his input on writing “Faction.”

Authors: Do you write faction? How do you market it?  What have been your experiences.

Readers: Do you like reading faction – fact based novels? Why or why not?

We’d love to hear from you. Please leave a comment.

Posted in authors, books, characters, names

The Writer’s Block Tip #5 by Jason Rekulak

writerw block

Create a new character from scratch by beginning with the name first. Write as much as you know about him or her, and let the character carry you into a story.

Barbara Kingsolver achieved international success with novels like The Bean Trees, Animal Dreams, and The Poisonwood Bible.  At readings and lectures, she is frequently asked where she finds the names for her characters (who often have distinctive monikers like Turtle, Lloyd, Oreanna, Rose-Johnny, Newt Hardbine and Annawake Fourkiller.)  Kingsolver explains, “I give almost as much thought to the naming of my principal characters as I did with my children.”

In fact, the names of Halimeda and Cosima Noline (the two sisters in Animal Dreams) came straight out of “Name That Baby” book that Kingsolver references while developing her characters. These books are inexpensive and invaluable references for the fiction writer, because they’re loaded with useful information about the origins and derivations of common names. More importantly, they also contain hundreds of uncommon names – great names like Tamonoa and Cormac and Octovia – that will help lend your character a sense of individuality.   ………… by Jason Rekulak

baby name book

I my last novel, the name of my character actually helped create the title of my book, “Town Without Mercy.” My main character’s name was Mercedes, but called Mercy for short.  If you haven’t read it yet, I am not giving any spoilers.

Tell me about YOUR new character or one you recently named. How did you decide on that name?

 

 

 

Posted in authors, editing, fiction, readers, writer's block, writers

The Writer’s Block Tip #4 by Jason Rekulak

writerw block

Tell the story of a job interview that goes badly.

The more your character wants the job, the better the story will be. ……….       Jason Rekulak

job interview Tip #

 

Oh boy.  I can tell of an interview gone bad.

I had worked in a different state selling real estate for over ten years, but after a move to a new state, and knowing that it takes years to build a client base in real estate in a new town, it was time for a change. I didn’t have two years to build my client base. So I decided I needed a salaried job that would offer me some stability. The only thing I could find related  to real estate – sort of – it was renting commercial space in the buildings this company owned. I figured “sales is sales,” so how hard would selling rental space be? But when the interview turned to experience and the talk turned to net leases and triple net, I was lost. But desperate as I was, I plundered ahead, nodding my head and digging myself deeper by the minute. I am not a liar, but I found myself twisting the truth to get the job. It was obvious that I was not being believed. I am the worst liar, and even more so when I am nervous or desperate.  I left that interview defeated and lost. What was I to do?  But miracles of miracles, I got a call back. He was going to hire me. He implied he knew how inexperienced I was in commercial leasing (that was an understatement) but he admired my tenacity and determination and thought I could use that same aggressiveness to find tenants throughout the city for his spaces. I got the job. (Note: I did very well at it but hated commercial leasing – I went back to residential sales.)

Now it’s your turn. What interview did you botch? Did you still get the job?

 

Posted in authors, books, editing

Using Extended Metaphors in Your Writing — Part Two

Using Extended Metaphors in Your Writing — Part Two.

I would love comments from readers on this. As much as I love the metaphor and the example of the “recurring music” problem in the car, as I read this, all I could think of was,

“It doesn’t move the story along. An editor would cut it if I tried to do that.”

Your thoughts?

Posted in authors, books, characters, editing, novels, outline, pantser, planner, readers, short stories, technology, writer's block, writers, writing

The Writer’s Block Tip#3 by Jason Rekulak

writerw block

To outline  or not to outline  by Jason Rekulak

Outliners are most common among thriller and mystery writers, for obvious reasons. Jeffery Deaver (The Bone Collector) claims that the surprising plot twists of his suspense novels wouldn’t be possible unless he plotted out all of the details in advance; he usually spends eight months researching and writing the outline, and four months writing the manuscript itself.

But non-genre writers use outlines too. John Barth wrote: “I don’t see how anybody starts a novel without knowing how its going to end. I usually make detailed outlines; how many chapters it will be and so forth.”

On the other side of the fence are writers who prefer a more organic approach to their craft; Aldous Huxley wrote, “I know very dimply when I start what’s going to happen. I just have a very general idea, and then the thing develops as I write.”

If you are suffering from writer’s block, try changing your approach. Make a detailed outline of the story – or plunge headfirst into the opening paragraph without any idea where you are going. Either way, the change in routine may be surprisingly effective.

 

Readers, are you a planner (outliner) or a pantser (fly by the seat)?  Personally, I am a basic outliner, but I allow my characters to lead the story, which sometimes takes it into unplanned territory. One funny experience I had while deep in the writing of my 2nd novel, Town Without Mercy, the dialogue between the two protagonists seem to write itself. When I was done, I laughed out loud, saying “That is not what I had in my outline at all.” But the story was better for it.

What have your experiences been in stepping out of your routine? Surprising outcomes?

Posted in authors, fire, writer's block, writers, writing

The Writer’s Block Tip#2 by Jason Rekulak

Here is Jason’s tip #2

writerw block

“Describe your first brush with danger.”  Jason Rekulak

child and matches

Thank you Jason.

 

Readers, what about you? My first brush with danger was when I set the latrine on fire at Girl Scout Camp when I had the kerosene lantern turned up too high. Interesting that Jason’s picture and my “brush with danger” both included fire.

 

Posted in authors, books, characters, fiction, friend, friends, humor, mystery, novels, readers, romance, series, writers, writing

Romantic comedy in The Roche Hotel

Misty Baker image

Mysti Parker (pseudonym) is a wife, mom, author, and shameless chocoholic. She is the author of the Tallenmere standalone fantasy romance series. Her other writings have appeared in the anthologies Hearts of Tomorrow, Christmas Lites, Christmas Lites II, The Darwin Murders, Tasteful Murders and EveryDayFiction.

Other writing pursuits include serving as a class mentor in Writers Village University’s seven week online course, F2K. She finished her first historical romance this spring and has one children’s book (Quentin’s Problem) soon to be published, with one more waiting for illustrations, and many more stewing in her head.

When she’s not writing fiction, Mysti works as a freelance editor and copywriter. She also reviews books for SQ Magazine, an online specfic publication, and is the proud owner of Unwritten, a blog voted #3 for eCollegeFinder’s Top Writing Blogs award. She resides in Buckner, KY with her husband and three children.

Mysti’s Blog:  Subscribe to my blog, Unwritten 

Visit my webpage: www.mystiparker.com (in construction)

Mysti’s Facebook: LIKE my fan page on Facebook! 

Twitter:  Follow me on Twitter @MystiParker

http://www.amazon.com/Roche-Hotel-Season-One-ebook/dp/B00NYCMIZQ

 

Mysti, for the book we are promoting today, what shelf would we find it on if it were in a bricks and mortar bookstore?

You’d find The Roche Hotel in the romantic comedy section, if there is such a thing. It’s also serial fiction, made up of connecting flash-fiction length stories rather like a sitcom. Is there a serial romantic comedy shelf in the bookstore? I wonder if they would mind if I built one…

Why did you choose to go the self-publishing Indie route in lieu of traditional publication? What were the deciding factors to choosing your publisher?

I started out being published with a small press—Melange Books. I love Nancy and the crew and I’ve seen several small presses that are doing great. I’ll definitely not be avoiding them in the future. I have tried the agent/big press thing. Had the agent—didn’t get me a deal in close to a year and a half, so I’m here to tell you that agents don’t necessarily mean you’ll get a publishing contract. Therefore, I’m taking advantage of self-publishing with The Roche Hotel and other projects. I like being in control of when it goes out, my cover art, how it’s promoted, and getting all the royalties myself.

Are you a pantser or a planner?

Pantser! Though I’m trying real hard to be a better planner. I’ll never be a stickler because it’s fun when my characters surprise me, but a little structure doesn’t hurt! Shameless plug alert—I wrote a recent article about that very thing: http://mystiparker.blogspot.com/2014/09/story-planning-for-pantsers.html

Complete this sentence….. Something/someone who helped me improve my writing is……. learning to give and get feedback from fellow writers at Critique Circle and Writers Village University.

What is the premise of your novel we are promoting today?

The Roche Hotel Cover Misty Baker

 

Here’s the blurby goodness:

After her husband ditches her for a blonde actress wannabe, Jane Seymour needs a job that pays the rent. The struggling Roche Hotel needs a miracle. With the former owner’s wife butting her nose into the renovations and new owners who are in way over their heads, Jane may be the answer to their prayers. Sure, she can handle The Roche Hotel’s quirky staff. But, can this skittish divorcee keep it all together when handsome Henry the Donut Guy makes his first delivery? This collection of serial fiction stories is a Tudorific romantic comedy that will leave you laughing out loud and hungry for more.

Thank you Mysti. Jane Seymour?  As in the actress?  The Roche Hotel sounds very interesting. Kind of serial  romantic, comedy, mystery. A touch of everything. It should reach a large audience.  When I first starting writing ficton commercially, I had a terrific online critique group, including Leona Pence that you probably know through F2K. WVU, Writers Village University has been a wonderful source for new and experienced authors.   I highly recommend it to other authors.

Posted in authors, books, characters, conflict, family, favorite books, fiction, friend, love, mystery, novels, pain, publishing, purpose, readers, romance, series, small towns, support, WFWA, womens fiction, writers

Multi-published Women’s Fiction Author Kathleen Paterka says “don’t give up.”

Kathleen Irene Paterka Author

A very special welcome to Kathleen Paterka. We met through the wonderful group, WFWA, Women’s Fiction Writers of America.  Kathleen, when did you first know you wanted to be a writer and was there a particular inspiration to get started?

I fell in love with the written word in the 2nd grade reading my first Trixie Belden® book. In case you’re not familiar with the series, Trixie was a girl detective who teamed up with her brothers and best friend Honey Wheeler to solve mysteries occurring around their little town in the Hudson Valley area of New York. Trixie Belden changed my life. It was the first time I’d read a book with a plot and no pictures. I devoured the existing series (12 books), and anxiously waited for the next one to be published. It was around that time I made the decision that someday, I would be an author and write more Trixie Belden novels. While I never did tackle the world of Trixie Belden (the last book was published in 1986), I did start my own series. The James Bay novels (Fatty Patty, Home Fires, Lotto Lucy, and For I Have Sinned) are set in the fictional resort community of James Bay, Michigan. After finishing those four stories, I wrote another two books set in different locations. Royal Secrets is about a family-owned Las Vegas wedding chapel, while my upcoming release, The Other Wife, is set in Chicago. For my next book (which I’m currently researching), I’ll be taking readers back to James Bay.

I too well in love with writing over Trixie Beldon, as you can see from my own tattered copy. It is one of my treasured possessions.

Trixie Belden

Do you have a background in writing? What other work have you done, and how has it impacted your writing career?

In school, my teachers tried steering me toward Creative Writing classes, but I dug in my heels, screaming “No, no, no!” I didn’t like being forced to write poetry or short stories. I knew I wanted to be a novelist, and I couldn’t see any point in wasting my time by writing Haiku (sincere apologies to any Haiku-enthusiasts who may be reading this). While I concede that there are basics to the craft that must be mastered (sentence structure, proper grammar, plot elements, etc.), there’s simply no way another person can ‘teach you’ how to write a book. Want to know the secret? Sit down and start. It’s as simple as that. Caveat: notice I did not say it was ‘easy’. It may be simple, but it’s definitely not easy. After graduating college with a degree in Sociology, plus a few years spent working for a local newspaper, the Catholic church, and the law, I finally settled down where I belonged: in a beautiful castle located in Northern Michigan. My job as staff writer at Castle Farms (a century old French Renaissance castle listed on the National Register of Historic Places) is like a fairy-tale come true.

Kathleen, what advice would you give to new writers just getting started with their first manuscript?

The best advice I can pass along was given to me by an author friend when I was just starting out. This highly successful NY Times bestselling author told me: “Perseverance and persistence, along with discipline, determination and confidence, are EVERY bit as important as talent. Your belief in yourself… is THE ONLY THING that separates you from the hundreds who will fall by the wayside without their dreams and goals realized. Don’t give up. Don’t give up. Don’t give up. Work hard, work smart, work tirelessly. Be tough, be brave and be persistent. All clichés, yes. But when they apply to you and how much you want to realize your dream, they are very apt.” I’ve kept my friend’s message tucked close in my heart through all the ups and downs of my publishing career, and it’s served me well. Today, I’m sharing her message with you. Don’t give up!

FattyPatty ForIHaveSinned HomeFires LottoLucy RoyalSecretsCream

Tell us about one of your book in 3 sentences. Fatty Patty (my first novel) is semi-autobiographical. Though I’m now at a normal weight (and have been for over 35+ years), I weighed three hundred pounds while in high school. Fatty Patty tackles the issues of dieting, dating, self-esteem, and exposes the gritty honest truth of what it’s like to be overweight in a society that worships thin.

What is the premise of your novel we are promoting today? My upcoming release, The Other Wife, will hit the shelves (and the cyber-world of Amazon, Barnes & Noble, plus Kobo) in February 2015. What happens in a woman’s life when her husband dies? What kind of secrets might be revealed? I came up with the idea when my own husband, Steve, actually died in front of me early one morning. I was sitting at the end of his bed in the semi-darkness when he made a strange sound. At the time, I thought it was the oddest snore I’d ever heard. Turns out, it was the infamous ‘death rattle’. Believe me, if you’ve never heard it, it makes the hair on the back of your neck stand straight up! Luckily, Steve was in the cardiac unit of our local hospital. They called a Code Blue, and the medical team managed to resuscitate him. He’s since had a triple by-pass and doing well, thank you! But that hospital experience in 2011 got me to thinking: What if Steve had been at home, asleep in our bed? What if he’d let out that horrible sound, and I’d assumed it was only a loud snore? I probably would have poked him, rolled over in bed, and gone back to sleep… what a horrible thing to wake up to in the morning. And what would my life have been like after that? Thus, a new storyline was born.

Can you share a few paragraphs from your book to whet our appetite?

Here’s the Prologue from The Other Wife… I hope you enjoy it!

It wasn’t much of a sound. Later, she would remember it as an odd sort of grunt. Still, it had been loud enough to wake her. Eleanor rolled over in their king-size bed, stretched out an arm, and nudged him. Richard’s snoring had worsened in the past months. She lay there in the darkness, waiting to see if another nudge was necessary. Just the other day, she’d read how snoring could be a sign of sleep apnea, leading to other, more serious, health problems. Perhaps tomorrow, depending on what kind of mood he was in, she’d mention the subject over breakfast. Maybe she should insist that he see a doctor. Not that it would do much good. Richard rarely listened to her. For most of the thirty-eight years they’d been married, he hadn’t listened to much of what she had to say. He’d probably give her his usual shrug, tell her to quit worrying.

Quit worrying. It wasn’t until five hours later that she realized she’d had good cause to be worried. She should have known that sound was different. She should have stayed awake. She should have tried to rouse him. Instead, she waited another minute, surrounded by silence. Then, turning over, she laid her head back on the pillow and curled up in her spot, still warm from sleep, snuggling into the clean, fragrant smell of freshly laundered sheets changed by Martha the day before. Closing her eyes, Eleanor drifted off into the most pleasant dream… only to wake the next morning to every woman’s nightmare.

Richard, in bed beside her, was dead.

Readers, go to Kathleen’s website. There is a place where you can enter to win a FREE copy of her new book, The Other Wife. I have read Fatty Patty and Royals Secrets.  They are both fantastic.  I can’t wait for The Other Wife to come out.

Thank you, Kathleen, for being on Author Interview Friday on Writing Under Fire.

Author website:          http://kathleenirenepaterka.com/

Facebook:                    https://www.facebook.com/KathleenIrenePaterka

Twitter:                       https://twitter.com/KPaterka

Amazon:                      http://www.amazon.com/Kathleen-Irene-Paterka

Barnes & Noble:         http://www.barnesandnoble.com/c/kathleen-irene-paterka

 

 

Posted in authors, characters, children, coming of age, conflict, cozy mystery, fiction, forgiveness, humor, innocence, love, mystery, novels, publishing, readers, small towns, writers

“Close to the Broken Hearted” equals heartache, innocence and forgiveness.

Close_Broken  by Michael Hebert

Welcome everyone to Author Interview Friday.  It is my pleasure to have Michael Hiebert with us today. I’d like to change up the order of how my interviews usually begin and go straight to the short synopsis of Michael’s book, Close to the Broken Hearted.

 

At twenty-two, Sylvie Carson has known a lifetime’s worth of trouble. When she was a child, her baby brother was shot to death by a man named Preacher Eli. Orphaned by her teens, Sylvie is now raising her own baby with no partner in sight. For all these reasons, Leah Teal, Alvin, Alabama’s only detective, tries to stay patient when Sylvie calls the station day and night, always with some new false alarm. But now, Preacher Eli is out of prison amd moving back to town.

As far as he law is concerned, the old man has paid his dues; though Leash’s twelve-year-old son, Abe, vehemently disagrees. Between that and his relentless curiosity about the daddy he hardly knew, Abe’s imagination is running in all directions lately. While Leah struggles with how much of the past to reveal to Abe, she/s also concerned about Sylvie’s mounting panic. Something in her gut tells her the girl might be a target after all. For as Leah knows well, there’s danger not just in the secrets others keep from us, but in the lies that corrupt from within. It’s a hunch that will be tested soon enough as tensions mount on both sides.

Evoking the South with depth and grace, Michael Hiebert’s poignant, gripping novel captures the strength wrought by heartache and lost innocence; and the transformative power of forgiveness. Wherever it comes. . .

See folks, I knew that would be an attention grabber. Now, may I introduce Michael Heibert.  Michael comes to us from the wintry land of British Columbia, Canada. He  won the  Surrey International Writer’s Conference Storyteller’s Award twice in a row. He teaches  classes online at Writers’ Village University.  (Did not notice that last week, author was also my friend I met at Writer’s village University. A great place to learn online and chat with terrific author friends you just haven’t met yet.

Michael Hebert photo

Michael, do you have a background in writing or take any special writing courses that helped you along the way?

I was very lucky to meet Dean Wesley Smith and Kristine Kathryn Rusch about ten years ago. They taught me a lot of what I know today. I went to writing workshops down in their house in Oregon where ten writers were sequestered into one space (we all had our own bedroom) and we’d be given eight hours of lecturing a day and expected to write 25,000 words a week. I write a lot. I write fast. I think these two things impacted my writing career more than anything else. Two years in a row I wrote over one million words (I used to keep track). I don’t write so much these days, but I can still do three books a year without breaking a sweat.

How long did it take you to publish your fist manuscript?

Well, I quit my day job and decided to become a real writer twelve years before actually publishing anything. During that time I wrote a LOT. I wrote sixteen novels and probably fifty or so short stories.

Twelve years. And you stuck with it. That is determination. Many of us cross over genres and it is difficult to pinpoint one to fit our books. For the book we are promoting today, what shelf would we find it on if it were in a bricks and mortar bookstore?

It IS in bricks and mortar bookstores and usually found on the mystery shelves, although sometimes it’s just placed under fiction.

Are you published through a traditional publishing house? If yes, how did you find your agent and publisher?

Kensington Books in NYC publish my adult novels. I self-publish my YA books and my short story collections. My agent found my publisher for me (that’s her job), but finding an agent wasn’t easy. It took me ten years. When I finally did find her, I literally ran into her on the sidewalk in New York. See the About Me section of my website for a more thorough description of how this happened. It’s pretty funny.

I did read your About Me section in your website. I LOVED the line “Fiction will always just be more entertaining than real life, so why not stretch things a teensy bit when you’re retelling them.” I’m going to keep that mantra in the back of my end while I am writing from now on.  You’re casual style of writing in that section makes me feel like I know you already, that we’ve just shared a beer in a musky tavern.  (No, readers, I am not sitting face-to-face with my authors at these interviews, but I hope it feels that way to you as you read them.) Readers, do yourself a favor and go to his website. You won’t be disappointed.

Do you always write in the same POV or narrative or do you switch it up in different stories?

My Alvin books (Dream with Little Angels, Close to the Broken Hearted, and the third, which will be released next spring and will be called A Thorn among the Lilies) have mixed POVs. My main character, Abe, always speaks in first person. Everyone else is a close third person. When I write other things I like to play with POV. Even in the Alvin books, each has a prologue written in what I call a “floating third” POV. It’s not quite omniscient, but it doesn’t stay with one character.

Authors and publishers are always talking about finding your “Voice”. Exactly what does that mean to you and how did you find yours?

Write a lot. Your voice will come. Listen to authors who have authorial voices you like being read by good readers. This is the quickest way to developing a good voice, as far as I’m concerned.

Are you a pantser or a planner?

If you want any kind of long term career and actually make money, you have to be a planner. Would you want your house built or your kidneys worked on by a pantser?

What advice would you give to new writers just getting started with their first manuscript?

Finish it before starting anything else. Even if it sucks donkey balls, finish it. It is unmarketable until it is finished, and it is probably not as bad as you think. Besides, that’s what first drafts are for. I call them SFDs. Shitty First Drafts. Get them done. Then put it away for two to four weeks before pulling it out and rereading it again. Then fix it.

Links:

Website:              www.michaelhiebert.com

Blog:                      www.michaelhiebert.com/blog

Facebook:           https://www.facebook.com/michael.hiebert67

Twitter:                                @Hiebert_M