The Writer’s Block Tip#7 by Jason Rekulak

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Tip# 7  Most Likely to Succeed

Many writers seem to have a rough time in high school – how else can you explain the frustrated teenager protagonists of novels like A Separate Peace or The Catcher in the Rye? The good news is, the most exhilarating – and embarrassing – moments of adolescence can be channeled into great fiction, and you can summon the memories just by opening your Senior Class yearbook.

Imagine what happened to “Most Likely to Succeed” and “Most Popular.” Write about the class clown who defied everyone’s expectations and became a celebrity. Tell us which of your former teachers initiated an affair with one of his or her students. Show us the secret life of the Cafeteria Lunch Lady. Relive the glacial passage of time in a high school detention session, or the petty jealousies involved I the planning of the school musical.

Use as many of your high school memories as you wish, but feel free to embellish or alter “the truth” as you go along. Personal revenge fantasies that involve “Most Popular” are permitted.

By Jason Rekulak

Can you recall a high school incident that you can twist into a storyline in your current WIP? Tell us about it – fully embellished – and please no real names of characters.

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The Writer’s Block Tip #6 by Jason Rekulak

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Real People   by Jason Rekulak

Pat Conroy hit bestseller lists with his novel The Prince of Tides – but Conroy’s sister recognized so much of herself in the story that she never spoke to her brother again. This kind of family reaction is a serious concern for many of us, and often the fear will develop into full blown writers block. After all, how can you write honestly about the failings of your father if you’re certain he’ll recognize himself in your manuscript? Thankfully, there are simple techniques for disguising any real-life individuals who inspire your fiction. You can modify or exaggerate a person’s physical appearance –  give Dad an extra thirty pounds. perhaps, or change the color of Mom’s hair. Changing their occupations is another good idea – many people define themselves almost exclusively by their careers. Also, feel free to blur or change the relationships among your characters. If you’re writing very auto-biographical fiction, the character of your sister could easily be a roommate, cousin, best friend or co-worker. Your father could appear in the guise of a boss, neighbor, teacher of shopkeeper. By consciously altering the truth, you’ll actually develop your characters into more “real” fictional creations.

Thank you Jason.  Now readers – it’s your turn. Have you used a family member as a profile for a character in your book? Did you alter as Jason suggests, or is your character a mirror image of…. the sister that could do no wrong?… the father that never stood up to your domineering mother?…. the grandmother that kept it all together?…

I’ll go first. In my first novel, Accident, the grandmother, Esther is a blended version of my own mother and my grandmother, who, incidentally, really was named Esther and did speak broken Swedish.

FACT BASED FICTION “FACTION”

Per Wikipedia, The Free Encyclopedia:

Faction is a literary genre, which utilizes fictional characters, and plot lines that must remain within the constraints of current reality. The authors tend to take current and recent-past events, and postulate what is likely or very possible to happen due to these events, utilizing current technology.

In this way faction differs from fiction, which does not have constraints to stay within reality, non-fiction novels, which take actual past persons and events and fictionalize their story….

                              *                        *                        *       

 By Vince D’Angelo

My time with the U.S. Navy in the Pacific provided many interesting experiences.  Since none involved combat or other heroics, I found little reason to share them. A houseguest’s curiosity about my military service compelled me to discuss those experiences. My guest found my anecdotes intriguing and suggested I write about them. After a few hastily constructed chapters, my guest commented, while still engaging, it read too much like a documentary. To me, the events were the facts and I couldn’t change them. Or, could I?

I recalled a book discussion on television where an author said his novel was based on actual events but fictionalized.  Asked if the novel was considered fiction or non-fiction, the author answered, “Faction”.  I heard the term used again in other literary discussions.

Thus, I embarked on writing a novel based on my experiences in the navy. I completed the manuscript; the process was easy since all I needed to do was to recall events. It met with praise…from family and friends and the former houseguest.  I titled it, Tales from the Pacific.

I was inspired to continue writing. So I cannibalized one of the chapters and expanded it into a novella titled, No-Name Island.

I decided to write another novel, this one based on my shore leave in Hong Kong, China; a British Crown Colony at the time. I was very much taken with the exotic Far East city.  It was the most memorable experience of my naval career and the inspiration for the new novel, Out of Hong Kong.

*                          *                          *      

BOOK COVER Vince De'Angleo

No-Name Island: Post World War II, a six-man navy detachment is sent on a highly classified mission to map a remote, uninhabited tropical island. Instead, they find a leper colony manned by a mysterious medical staff. Also, a hidden encampment of men and women survivors of an accidentally sunk Japanese hospital ship, who are not aware the war is over. Unlikely scenarios for romance? Not quite.

Out of Hong Kong Vince D'Angelo

Out of Hong Kong: A young navy officer on shore leave in Hong Kong unintentionally finds himself in a brothel. The girl assigned to him is a ‘first time’ teenaged virgin desperately attempting to earn quick money to free her parents enslaved by mainland communists. His attempt to save her from becoming a prostitute puts both their lives in danger. They fall in love but are forcibly separated. He goes back to his ship not knowing what has happened to her. He returns to Hong Kong numerous times over the years, attempting to find her.

Thanks to Vince D’Angleo for his input on writing “Faction.”

Authors: Do you write faction? How do you market it?  What have been your experiences.

Readers: Do you like reading faction – fact based novels? Why or why not?

We’d love to hear from you. Please leave a comment.

The Writer’s Block Tip#3 by Jason Rekulak

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To outline  or not to outline  by Jason Rekulak

Outliners are most common among thriller and mystery writers, for obvious reasons. Jeffery Deaver (The Bone Collector) claims that the surprising plot twists of his suspense novels wouldn’t be possible unless he plotted out all of the details in advance; he usually spends eight months researching and writing the outline, and four months writing the manuscript itself.

But non-genre writers use outlines too. John Barth wrote: “I don’t see how anybody starts a novel without knowing how its going to end. I usually make detailed outlines; how many chapters it will be and so forth.”

On the other side of the fence are writers who prefer a more organic approach to their craft; Aldous Huxley wrote, “I know very dimply when I start what’s going to happen. I just have a very general idea, and then the thing develops as I write.”

If you are suffering from writer’s block, try changing your approach. Make a detailed outline of the story – or plunge headfirst into the opening paragraph without any idea where you are going. Either way, the change in routine may be surprisingly effective.

 

Readers, are you a planner (outliner) or a pantser (fly by the seat)?  Personally, I am a basic outliner, but I allow my characters to lead the story, which sometimes takes it into unplanned territory. One funny experience I had while deep in the writing of my 2nd novel, Town Without Mercy, the dialogue between the two protagonists seem to write itself. When I was done, I laughed out loud, saying “That is not what I had in my outline at all.” But the story was better for it.

What have your experiences been in stepping out of your routine? Surprising outcomes?

High Cotton Country by Leta McCurry

Leta McCurry           High Cotton Country

It is a pleasure to have Leta McCurry with us today for an Author Interview.  Leta and I have become friends through WFWA, Women’s Fiction Writers Association.  I am still amazed at how technology can bring people together from opposites sides of the country, or even the world.

Leta,  when did you first know you wanted to be a writer and was there a particular inspiration to get started?

I think I’ve always known I wanted to be a writer but I actually started writing at about twelve – from a twelve year old’s perspective obviously. The adventure, companionship, comfort and inspiration I received from being an avid reader is what first inspired me to put on paper the stories that were bouncing around in my head.

Do you have a background in writing or have you taken  any special writing courses that helped you along the way?

No. The biggest help to me has been honest and forthright critique readers. Feedback from readers always gives me clarity about y writing and is a big help in my on-going endeavor to become a better writer.

What other work have you done, and how has it impacted your writing career?

Sales. I think sales taught me to take risks and put myself out there. And not to take rejection personally. And, while not work in the strictest sense, I think raising five children.

How long did it take you to publish your first manuscript?

About a year and a half from writing the first chapter through to publication. 

Do you always write in the same genre?

My interest is in general/women’s fiction. I never intended to write non-fiction but at one point Prentice-Hall, New York offered me a contract to write a college textbook which I did and they published. That was just an unexpected side trip. I refer to my genre as women’s fiction but I have been told it is more general fiction. High Cotton Country has actually been read by several men and I’ve had really good geed back from them so I guess it is a cross-over between general and women’s fiction.

Many of us cross over genres and it is difficult to pinpoint one to fit our books. For the book we are promoting today, what shelf would we find it on if it were in a bricks and mortar bookstore?

Women’s fiction.

Do you have any special time or place you like to write?

I have a little cubby hole office hardly big enough to “cuss a cat” as my grandpa would say, but it works for me.  Nice big windows with a view out at the green Oregon trees and foliage and blue sky (when it isn’t raining).

Are you published through a traditional publishing house? If yes, how did you find your agent and publisher?

Yes. Non Fiction. College Text Book. Publisher Prentice Hall sought me out based on a recommendation from a college professor.

Why did you choose to go the self-publishing Indie route in lieu of traditional publication on this project? What were the deciding factors to choosing your publisher? Would you recommend that same Indi publisher to a colleague?

I went the self-publishing route almost entirely because of the time factor involved in getting a book on the market via traditional sources. It just seemed that two years was a long time.

Do you always write in the same POV or narrative or do you switch it up in different stories?

I like to switch it up because everybody has their own perspective on events and situations. The same incident can and does have a different impact on different people. I have read books written from a one person perspective and they worked for me as a reader. I don’t know that I could make it work that successfully.  To me, the difference is one perspective is like mashed potatoes and multiple perspective is like a baked potato with butter, sour cream, chives and chopped bacon.  Having said that, I’ll probably end up writing a one point of view narrative someday.

Authors and publishers are always talking about finding your “Voice”. Exactly what does that mean to you and how did you find yours?

I think an author’s voice is that life and world point of view that is particular to each of us. That voice is the culmination of our circumstances of birth, the “imprinting” we received as we grew to adulthood, and the experiences that are unique to each one. And, the voice is always changing, growing, expanding, because as long as we are alive we are continually influenced by the world and people around us and our responses to those circumstances.

Do you follow a structure pattern such as staying in chronological order, or alternating points in time or different POV’s

I don’t follow an exact chronological order but I do follow a loose time framework. I do write in order though, each chapter in sequence. I have writer friends who may write chapter 20 then come back to 5 then write chapter 18 then 35 and come back to 6.  That would drive me crazy.

What was the hardest part for you in the writing process; the outline, synopsis, query or building the story itself?

Query and synopsis. Lot harder that writing a novel. Now that I am in the midst of the process, writing is the easy part.

It is not enough to write a book and wait for the money to start rolling in. What marketing techniques do you implement to increase your sales?

Right now, personal networking. Exploring possibilities. Marketing has turned out to be a sharp learning curve for me and I’m still finding my way through the jungle. As I said, writing Cazzie’s story was the easy part.

Are you a pantser or a planner?

About 50/50 I think.

What advice would you give to new writers just getting started with their first manuscript?

Sit down and write. Edit later.

Who are some of the authors whose work you admire the most, and why?

Elin Hildebrand – she entertains me.  Susan Crandall and Robert Morgan because I love their “voice”. They are from my neighborhood. And Ayn Rand – she makes me think. James Clavell and Lincoln and Childs– they transport me to other worlds.

Complete this sentence….. My first ever published piece of writing was….. “A poem.”

Please share a brief synopsis of High Cotton Country.

Secrets. Hidden they can destroy her from within. Revealed they can explode her world.

 Come hell or high water, Cazzie Randle is determined to leave the past behind along with the hardscrabble life of a small hill country town but finds she can’t elude the secret trauma that haunts her – an act of unspeakable horror by her mother and abandonment by her father.

A message that her father is dying sends a reluctant Cazzie to his bedside but not to reconcile a lifelong estrangement. She must make him finally reveal the secrets of the memories that haunt her. He must answer questions of “Why?”

An explosion of truth in a dusty Texas hill country town reveals old secrets and demands choices. But will she be able to choose or will she be paralyzed by all the old hurts, cruelty and betrayals that have driven her all her life? To find the answer, Cazzie must confront the very essence of who she has become and question whether the price was too high.

 

  High Cotton Country is the story of one woman’s journey to self-discovery. It is about the inherent dignity of the human being, of the burning desire to be in command of one’s own destiny, of the will, not only to survive, but to achieve, and to face adversity with courage and honor. This is not only the story of one woman’s fighting spirit, but also of the people who influence her self-esteem, shape her self-image and participate in her destiny.

Where can readers buy High Cotton Country?

Readers can read the first chapter of High Cotton Country at http://www.letamccurry.com/free-read/ and check out my blog at http://www.letamccurry.com/blog

Copies are available https://www.createspace.com/5060373 or

Thanks for having me, Joanne. It’s been fun. Leta

 

Romantic comedy in The Roche Hotel

Misty Baker image

Mysti Parker (pseudonym) is a wife, mom, author, and shameless chocoholic. She is the author of the Tallenmere standalone fantasy romance series. Her other writings have appeared in the anthologies Hearts of Tomorrow, Christmas Lites, Christmas Lites II, The Darwin Murders, Tasteful Murders and EveryDayFiction.

Other writing pursuits include serving as a class mentor in Writers Village University’s seven week online course, F2K. She finished her first historical romance this spring and has one children’s book (Quentin’s Problem) soon to be published, with one more waiting for illustrations, and many more stewing in her head.

When she’s not writing fiction, Mysti works as a freelance editor and copywriter. She also reviews books for SQ Magazine, an online specfic publication, and is the proud owner of Unwritten, a blog voted #3 for eCollegeFinder’s Top Writing Blogs award. She resides in Buckner, KY with her husband and three children.

Mysti’s Blog:  Subscribe to my blog, Unwritten 

Visit my webpage: www.mystiparker.com (in construction)

Mysti’s Facebook: LIKE my fan page on Facebook! 

Twitter:  Follow me on Twitter @MystiParker

http://www.amazon.com/Roche-Hotel-Season-One-ebook/dp/B00NYCMIZQ

 

Mysti, for the book we are promoting today, what shelf would we find it on if it were in a bricks and mortar bookstore?

You’d find The Roche Hotel in the romantic comedy section, if there is such a thing. It’s also serial fiction, made up of connecting flash-fiction length stories rather like a sitcom. Is there a serial romantic comedy shelf in the bookstore? I wonder if they would mind if I built one…

Why did you choose to go the self-publishing Indie route in lieu of traditional publication? What were the deciding factors to choosing your publisher?

I started out being published with a small press—Melange Books. I love Nancy and the crew and I’ve seen several small presses that are doing great. I’ll definitely not be avoiding them in the future. I have tried the agent/big press thing. Had the agent—didn’t get me a deal in close to a year and a half, so I’m here to tell you that agents don’t necessarily mean you’ll get a publishing contract. Therefore, I’m taking advantage of self-publishing with The Roche Hotel and other projects. I like being in control of when it goes out, my cover art, how it’s promoted, and getting all the royalties myself.

Are you a pantser or a planner?

Pantser! Though I’m trying real hard to be a better planner. I’ll never be a stickler because it’s fun when my characters surprise me, but a little structure doesn’t hurt! Shameless plug alert—I wrote a recent article about that very thing: http://mystiparker.blogspot.com/2014/09/story-planning-for-pantsers.html

Complete this sentence….. Something/someone who helped me improve my writing is……. learning to give and get feedback from fellow writers at Critique Circle and Writers Village University.

What is the premise of your novel we are promoting today?

The Roche Hotel Cover Misty Baker

 

Here’s the blurby goodness:

After her husband ditches her for a blonde actress wannabe, Jane Seymour needs a job that pays the rent. The struggling Roche Hotel needs a miracle. With the former owner’s wife butting her nose into the renovations and new owners who are in way over their heads, Jane may be the answer to their prayers. Sure, she can handle The Roche Hotel’s quirky staff. But, can this skittish divorcee keep it all together when handsome Henry the Donut Guy makes his first delivery? This collection of serial fiction stories is a Tudorific romantic comedy that will leave you laughing out loud and hungry for more.

Thank you Mysti. Jane Seymour?  As in the actress?  The Roche Hotel sounds very interesting. Kind of serial  romantic, comedy, mystery. A touch of everything. It should reach a large audience.  When I first starting writing ficton commercially, I had a terrific online critique group, including Leona Pence that you probably know through F2K. WVU, Writers Village University has been a wonderful source for new and experienced authors.   I highly recommend it to other authors.

Multi-published Women’s Fiction Author Kathleen Paterka says “don’t give up.”

Kathleen Irene Paterka Author

A very special welcome to Kathleen Paterka. We met through the wonderful group, WFWA, Women’s Fiction Writers of America.  Kathleen, when did you first know you wanted to be a writer and was there a particular inspiration to get started?

I fell in love with the written word in the 2nd grade reading my first Trixie Belden® book. In case you’re not familiar with the series, Trixie was a girl detective who teamed up with her brothers and best friend Honey Wheeler to solve mysteries occurring around their little town in the Hudson Valley area of New York. Trixie Belden changed my life. It was the first time I’d read a book with a plot and no pictures. I devoured the existing series (12 books), and anxiously waited for the next one to be published. It was around that time I made the decision that someday, I would be an author and write more Trixie Belden novels. While I never did tackle the world of Trixie Belden (the last book was published in 1986), I did start my own series. The James Bay novels (Fatty Patty, Home Fires, Lotto Lucy, and For I Have Sinned) are set in the fictional resort community of James Bay, Michigan. After finishing those four stories, I wrote another two books set in different locations. Royal Secrets is about a family-owned Las Vegas wedding chapel, while my upcoming release, The Other Wife, is set in Chicago. For my next book (which I’m currently researching), I’ll be taking readers back to James Bay.

I too well in love with writing over Trixie Beldon, as you can see from my own tattered copy. It is one of my treasured possessions.

Trixie Belden

Do you have a background in writing? What other work have you done, and how has it impacted your writing career?

In school, my teachers tried steering me toward Creative Writing classes, but I dug in my heels, screaming “No, no, no!” I didn’t like being forced to write poetry or short stories. I knew I wanted to be a novelist, and I couldn’t see any point in wasting my time by writing Haiku (sincere apologies to any Haiku-enthusiasts who may be reading this). While I concede that there are basics to the craft that must be mastered (sentence structure, proper grammar, plot elements, etc.), there’s simply no way another person can ‘teach you’ how to write a book. Want to know the secret? Sit down and start. It’s as simple as that. Caveat: notice I did not say it was ‘easy’. It may be simple, but it’s definitely not easy. After graduating college with a degree in Sociology, plus a few years spent working for a local newspaper, the Catholic church, and the law, I finally settled down where I belonged: in a beautiful castle located in Northern Michigan. My job as staff writer at Castle Farms (a century old French Renaissance castle listed on the National Register of Historic Places) is like a fairy-tale come true.

Kathleen, what advice would you give to new writers just getting started with their first manuscript?

The best advice I can pass along was given to me by an author friend when I was just starting out. This highly successful NY Times bestselling author told me: “Perseverance and persistence, along with discipline, determination and confidence, are EVERY bit as important as talent. Your belief in yourself… is THE ONLY THING that separates you from the hundreds who will fall by the wayside without their dreams and goals realized. Don’t give up. Don’t give up. Don’t give up. Work hard, work smart, work tirelessly. Be tough, be brave and be persistent. All clichés, yes. But when they apply to you and how much you want to realize your dream, they are very apt.” I’ve kept my friend’s message tucked close in my heart through all the ups and downs of my publishing career, and it’s served me well. Today, I’m sharing her message with you. Don’t give up!

FattyPatty ForIHaveSinned HomeFires LottoLucy RoyalSecretsCream

Tell us about one of your book in 3 sentences. Fatty Patty (my first novel) is semi-autobiographical. Though I’m now at a normal weight (and have been for over 35+ years), I weighed three hundred pounds while in high school. Fatty Patty tackles the issues of dieting, dating, self-esteem, and exposes the gritty honest truth of what it’s like to be overweight in a society that worships thin.

What is the premise of your novel we are promoting today? My upcoming release, The Other Wife, will hit the shelves (and the cyber-world of Amazon, Barnes & Noble, plus Kobo) in February 2015. What happens in a woman’s life when her husband dies? What kind of secrets might be revealed? I came up with the idea when my own husband, Steve, actually died in front of me early one morning. I was sitting at the end of his bed in the semi-darkness when he made a strange sound. At the time, I thought it was the oddest snore I’d ever heard. Turns out, it was the infamous ‘death rattle’. Believe me, if you’ve never heard it, it makes the hair on the back of your neck stand straight up! Luckily, Steve was in the cardiac unit of our local hospital. They called a Code Blue, and the medical team managed to resuscitate him. He’s since had a triple by-pass and doing well, thank you! But that hospital experience in 2011 got me to thinking: What if Steve had been at home, asleep in our bed? What if he’d let out that horrible sound, and I’d assumed it was only a loud snore? I probably would have poked him, rolled over in bed, and gone back to sleep… what a horrible thing to wake up to in the morning. And what would my life have been like after that? Thus, a new storyline was born.

Can you share a few paragraphs from your book to whet our appetite?

Here’s the Prologue from The Other Wife… I hope you enjoy it!

It wasn’t much of a sound. Later, she would remember it as an odd sort of grunt. Still, it had been loud enough to wake her. Eleanor rolled over in their king-size bed, stretched out an arm, and nudged him. Richard’s snoring had worsened in the past months. She lay there in the darkness, waiting to see if another nudge was necessary. Just the other day, she’d read how snoring could be a sign of sleep apnea, leading to other, more serious, health problems. Perhaps tomorrow, depending on what kind of mood he was in, she’d mention the subject over breakfast. Maybe she should insist that he see a doctor. Not that it would do much good. Richard rarely listened to her. For most of the thirty-eight years they’d been married, he hadn’t listened to much of what she had to say. He’d probably give her his usual shrug, tell her to quit worrying.

Quit worrying. It wasn’t until five hours later that she realized she’d had good cause to be worried. She should have known that sound was different. She should have stayed awake. She should have tried to rouse him. Instead, she waited another minute, surrounded by silence. Then, turning over, she laid her head back on the pillow and curled up in her spot, still warm from sleep, snuggling into the clean, fragrant smell of freshly laundered sheets changed by Martha the day before. Closing her eyes, Eleanor drifted off into the most pleasant dream… only to wake the next morning to every woman’s nightmare.

Richard, in bed beside her, was dead.

Readers, go to Kathleen’s website. There is a place where you can enter to win a FREE copy of her new book, The Other Wife. I have read Fatty Patty and Royals Secrets.  They are both fantastic.  I can’t wait for The Other Wife to come out.

Thank you, Kathleen, for being on Author Interview Friday on Writing Under Fire.

Author website:          http://kathleenirenepaterka.com/

Facebook:                    https://www.facebook.com/KathleenIrenePaterka

Twitter:                       https://twitter.com/KPaterka

Amazon:                      http://www.amazon.com/Kathleen-Irene-Paterka

Barnes & Noble:         http://www.barnesandnoble.com/c/kathleen-irene-paterka

 

 

“Close to the Broken Hearted” equals heartache, innocence and forgiveness.

Close_Broken  by Michael Hebert

Welcome everyone to Author Interview Friday.  It is my pleasure to have Michael Hiebert with us today. I’d like to change up the order of how my interviews usually begin and go straight to the short synopsis of Michael’s book, Close to the Broken Hearted.

 

At twenty-two, Sylvie Carson has known a lifetime’s worth of trouble. When she was a child, her baby brother was shot to death by a man named Preacher Eli. Orphaned by her teens, Sylvie is now raising her own baby with no partner in sight. For all these reasons, Leah Teal, Alvin, Alabama’s only detective, tries to stay patient when Sylvie calls the station day and night, always with some new false alarm. But now, Preacher Eli is out of prison amd moving back to town.

As far as he law is concerned, the old man has paid his dues; though Leash’s twelve-year-old son, Abe, vehemently disagrees. Between that and his relentless curiosity about the daddy he hardly knew, Abe’s imagination is running in all directions lately. While Leah struggles with how much of the past to reveal to Abe, she/s also concerned about Sylvie’s mounting panic. Something in her gut tells her the girl might be a target after all. For as Leah knows well, there’s danger not just in the secrets others keep from us, but in the lies that corrupt from within. It’s a hunch that will be tested soon enough as tensions mount on both sides.

Evoking the South with depth and grace, Michael Hiebert’s poignant, gripping novel captures the strength wrought by heartache and lost innocence; and the transformative power of forgiveness. Wherever it comes. . .

See folks, I knew that would be an attention grabber. Now, may I introduce Michael Heibert.  Michael comes to us from the wintry land of British Columbia, Canada. He  won the  Surrey International Writer’s Conference Storyteller’s Award twice in a row. He teaches  classes online at Writers’ Village University.  (Did not notice that last week, author was also my friend I met at Writer’s village University. A great place to learn online and chat with terrific author friends you just haven’t met yet.

Michael Hebert photo

Michael, do you have a background in writing or take any special writing courses that helped you along the way?

I was very lucky to meet Dean Wesley Smith and Kristine Kathryn Rusch about ten years ago. They taught me a lot of what I know today. I went to writing workshops down in their house in Oregon where ten writers were sequestered into one space (we all had our own bedroom) and we’d be given eight hours of lecturing a day and expected to write 25,000 words a week. I write a lot. I write fast. I think these two things impacted my writing career more than anything else. Two years in a row I wrote over one million words (I used to keep track). I don’t write so much these days, but I can still do three books a year without breaking a sweat.

How long did it take you to publish your fist manuscript?

Well, I quit my day job and decided to become a real writer twelve years before actually publishing anything. During that time I wrote a LOT. I wrote sixteen novels and probably fifty or so short stories.

Twelve years. And you stuck with it. That is determination. Many of us cross over genres and it is difficult to pinpoint one to fit our books. For the book we are promoting today, what shelf would we find it on if it were in a bricks and mortar bookstore?

It IS in bricks and mortar bookstores and usually found on the mystery shelves, although sometimes it’s just placed under fiction.

Are you published through a traditional publishing house? If yes, how did you find your agent and publisher?

Kensington Books in NYC publish my adult novels. I self-publish my YA books and my short story collections. My agent found my publisher for me (that’s her job), but finding an agent wasn’t easy. It took me ten years. When I finally did find her, I literally ran into her on the sidewalk in New York. See the About Me section of my website for a more thorough description of how this happened. It’s pretty funny.

I did read your About Me section in your website. I LOVED the line “Fiction will always just be more entertaining than real life, so why not stretch things a teensy bit when you’re retelling them.” I’m going to keep that mantra in the back of my end while I am writing from now on.  You’re casual style of writing in that section makes me feel like I know you already, that we’ve just shared a beer in a musky tavern.  (No, readers, I am not sitting face-to-face with my authors at these interviews, but I hope it feels that way to you as you read them.) Readers, do yourself a favor and go to his website. You won’t be disappointed.

Do you always write in the same POV or narrative or do you switch it up in different stories?

My Alvin books (Dream with Little Angels, Close to the Broken Hearted, and the third, which will be released next spring and will be called A Thorn among the Lilies) have mixed POVs. My main character, Abe, always speaks in first person. Everyone else is a close third person. When I write other things I like to play with POV. Even in the Alvin books, each has a prologue written in what I call a “floating third” POV. It’s not quite omniscient, but it doesn’t stay with one character.

Authors and publishers are always talking about finding your “Voice”. Exactly what does that mean to you and how did you find yours?

Write a lot. Your voice will come. Listen to authors who have authorial voices you like being read by good readers. This is the quickest way to developing a good voice, as far as I’m concerned.

Are you a pantser or a planner?

If you want any kind of long term career and actually make money, you have to be a planner. Would you want your house built or your kidneys worked on by a pantser?

What advice would you give to new writers just getting started with their first manuscript?

Finish it before starting anything else. Even if it sucks donkey balls, finish it. It is unmarketable until it is finished, and it is probably not as bad as you think. Besides, that’s what first drafts are for. I call them SFDs. Shitty First Drafts. Get them done. Then put it away for two to four weeks before pulling it out and rereading it again. Then fix it.

Links:

Website:              www.michaelhiebert.com

Blog:                      www.michaelhiebert.com/blog

Facebook:           https://www.facebook.com/michael.hiebert67

Twitter:                                @Hiebert_M

Hemphill Towers: Where intoxicating romance meets heart-pounding suspense.

hemphilltowers333x500 (2)

Leona Pence and I go back to the very beginning of our professional writing career in 2011. We shared in an online critique group with four other women from all over the United States, and Mexico.   In the early drafts of our first novels, Leona was working on Hemphill Towers, myself on Accident.  To say that were both very rough drafts is putting it mildly.  Now we both have polished  and published results from our hard work.

Leona, tell everyone a little about yourself.

leona photo

 I’m a widow with four children, twelve grandchildren, and four great grandkids.  I’ve lived in Illinois my entire life, the past fifty years in the same house. I admit to being a Facebook addict and spend way too much time there. But if I want to see current family pictures and stay in touch with distant relatives, it’s the place to be.

How did you become a writer, and did you always want to write?

No, I never saw myself as a writer and it still surprises me that I actually wrote a book. After my husband died from lung cancer, I turned to my computer to save my sanity. I met people online to chat with. Hemphill Towers started as a joke between me and two online friends. We made ourselves younger career women, each described a love interest, and I was to use the info to write a humorous story. Once I started writing, the words just kept coming. Three months later, I had a very rough, first draft novel.

And then we met online at Writers Village University.

Yes, we certainly had a good time. I am still in touch with some of the other girls. Everyone has completed at least one novel.  Writers Village University has been a great asset.

I know you are still very involved with WVU. You lead the online chat for writers every week. I am sure you have heard hundreds of stories of both successes and failures along the way.

Yes, we spend a lot of time chatting about the technical parts of writing, plotting, character development and story lines, but I think the interaction with other writers keep us from feeling so alone in our endeavor. Writing can be a very lonely profession unless you reach out to the writing community for friendship. Most writer’s learn early on that their families don’t take them seriously and think they are a little crazy to commit so much time to what they (the relatives) think is a pipe dream. I have been very lucky to have a supportive family throughout my writing career.

Tell the readers about Hemphill Towers.

Riley Saunders has her dream job. As an art director at a leading advertising agency, she works every day with her two best friends, Stella and Birdie. All three have been assigned to ensure the Grand Opening of the Peterson Art Museum is nothing short of a success.

When a girl’s night out at a hot new Italian restaurant ends with a spilled bottle of wine, it sets in motion a series of events that leaves Stella and Birdie caught up in a whirlwind romance, and Riley fearing for her life at the hands of a deranged stalker. But when the handsome museum curator, Trent Peterson, learns of her situation, he vows to keep her safe.

In a quick-paced tale of fine art, wine forgery, and the Russian mafia, Riley and her friends soon discover their pursuit of love will require them to expose a crime, thwart a murder, and trust the one thing that has never failed them… their friendship.

Where can people buy Hemphill Towers?

Amazon:  http://www.amazon.com/Hemphill-Towers-Leona-Pence/dp/1771275979/ref=sr_1_1_twi_2?s=books&ie=UTF8&qid=1416574234&sr=1-1&keywords=hemphill+towers

Barnes and Noble:  http://www.barnesandnoble.com/w/hemphill-towers-leona-pence/1117243569?ean=9781771275972

You also have a blog. Where can people find you on your blog?

Blog Spot:  http://leonaschatter.blogspot.com/

Thank you, Leona for being on Author Interview Friday.

Prayers to my dear friend and writer, Marty Fallon.

Marty Fallon

Today was the scheduled day to post my dear friend, Marty Fallon’s blog, but I didn’t know I was going to have to ask for everyone’s prayers for him. The day before yesterday Ia received a quick email that he was going to miss out monthly writer’s meeting because he was in a rehab center – because he had a stroke.  OMG. He said he was typing his email with one finger. So, everyone, please say a special prayer for a complete recovery for this wonderful writer friend of mine.

So, I am going to plug along as if he was sitting right in front of me.

Marty, when did you first know you wanted to be a writer and was there a particular inspiration to get started?

English teachers supported my writing, first in high school and later in college.  I was not an English major, but in those classes I did take, those professors acknowledged some of my offerings.  Later as a school social worker, I had to write social histories on all students being considered for special education.  Any flourishes above and beyond the generic psychological reports, brought some spice to an otherwise dull process. Their laughter, energized me.  The epiphany, came from retirement guilt.  I started a job at a local resort hotel, and, after three weeks, decided that those folks worked harder than I felt ready to sustain, so I quit.  That experience became the inspiration for my first published book, The Concierge.  But my first novella, still languishing on the hard drive, I wrote in a week.  That was a rush, writing on yellow legal pads, reading the daily results to my wife, not stopping to get dressed.

Concierge

I’m sure Gretchen is glad you finally got dressed.  What other work have you done, and how has it impacted your writing?

I grew up and a farm, so I know mindless repetitive work.  The pyscho-social jobs, in child neglect and abuse plus the school interventions gave me an appreciation of how dysfunctional behavior starts and the consequences of repeated social-emotional failures.  In Florida, I found work as a home-health aide, and used my helping skills to establish relationships with older adults with diminished intellectual abilities.

How long did it take you to publish your first manuscript?

It took twelve years, and that might just as well have been forever, except Create Space came along to offer the digital publishing option many authors are now using to sidestep the traditional publishing barriers.

Do you follow a structure pattern such as staying in chronological order, or alternating points in time, or different POV’s?

My crime/relationship books are primarily in chronological order, because the danger inherent in repeated crimes requires resolution.  And the relationships between the cops and the victims are also moving quickly.  There may be one or two flashbacks to deepen our understanding of motive, but, by and large, my people are in a hurry to catch the bad guys and also pushing hard to make the personal contacts they think they need to improve their love lives.

Marty, tell us about one of your books in 3 sentences.

The book coming out in January, started with car ad, a girl in a bikini on the hood of a pickup, trying to sell her old vehicle.  That level of desperation became the inspiration for Trouble On The Hood.

Who are some of the authors whose work you admire the most?

Carl Hiaasen, Randy Wayne White, John Sanford and Michael Perry.  Hiaasen and White are ex-journalists from Florida and their subsequent knowledge of the state is superb.  Sanford also has a journalism background, and he provides remarkable detail from Minnesota.  Perry writes non-fiction, but he hasn’t strayed far from his rural roots.  All these authors spin wonderful stories with drama and memorable characters.  I want to have my writing rise to the quality their books demonstrate, so they will remain esteemed models.

What is the premise of your novel we are promoting today?

 The Daughters

 

The Daughters, describes the odyssey of three women, a kidnapped girl from Colombia, an assaulted high-school student from a Lee County high school, and an impoverished eighth grader coerced into joining a local gang.  As the lives of the victims come closer to overlapping, our local law-enforcement team, two of whom are getting married, attempt to gather the clues required to intervene before tragedy envelopes the little community of Bonita Springs.

Marty, our thoughts and prayers are miss you. We missed you at Marco Writers this week. For our readers, you can buy Marty’s books on Amazon at

http://www.amazon.com/s/ref=ntt_athr_dp_sr_1?_encoding=UTF8&field-author=Martin%20Fallon&search-alias=books&sort=relevancerank