Posted in authors, authos, books, consumers, Indie, poetry, publishing, short stories, writers

Professor and Indie Author, Gary McLouth talks about becoming a writer

Author Pics Gary Mc Louth

Welcome Gary.  When did you know you were a writer, and how did you develop your writing?

Tricky question, Joanne. From early childhood, I was drawn to stories told by my grandmother. She told stories about her youth, her music, her jobs, her family, her travels and her travails. She had a way of making drama out of the mundane. Her voice lilted in tones of suspension.  As I got older, my interest is listening grew into an interest in telling. Since the heavy-duty emphasis from my parents leaned on truth and honesty at all costs, I was forced to learn the ways of performance, projection, nuance.

I love to talk, and to entertain. Writing, however, is something else, and I’ve been challenged by it most of my life. How to tell a story on a page, when you, imagine the audience, hear the voice(s) fighting for a say, sit alone in a room and drum your fingers on the keyboard. It helps to take classes, attend workshops and conferences, read aloud to peers and read everything: newspapers, magazines, short story collections, novels, how-to manuals, bumper stickers and warning labels on prescription drug bottles. I appreciate the courses and workshops I’ve participated in, because they’ve provided what I need most. Focus and Deadlines.

Do you always write in the same genre?

I consider writing to be writing, so I write, and have written, in many genres. I guess poetry is my basic connection between my experience and imagination, and my writing. I don’t tend to think in sentences. Images, phrases, voices. I write a lot without the self-proclamation of “I’m writing.” Notes on student papers, poems, short stories, agendas for meetings, speeches for others as well as myself, and so on. But, yes, I have aspirations to write good literary fiction, and I do work that on paper and in my head. It’s ongoing.

Do you have a special time or place you like to write?

Now, that could lead to some pretty good story-telling! My favorite place to write: Blue Mountain Lake in the Adirondack Mountains of New York State. My special time to write: Night Time.

Okay, the trouble with those conditions is time and place, and reality. I love being in the mountains, and I love staying up late. I have written a lot in those venues. The only problem is that the Adirondacks are a long way from wherever I might be, and late nights may stoke my memories but not much else. The solution, if that’s what takes, is adaptability and versatility. I practice writing any place, any time. I’ve trained myself to write scripts in my head as I walk. I remind myself that all time is usable, if I think it is.

I try to carry a few tools for writing at all times. You’d be surprised how many pieces of this and that swirl around us. Recycle litter into copy.

Why did you decide to become an Indie publisher, and would you recommend going the Indie route to other writers?

Hmm. Why, indeed. The traditional submission route worked for me when I had a full-time job that allowed me to hire a submission agency. The agency performed the market research and details of the copying, letter writing, mailing and archiving. All I had to do was supply the poems and stories. I started years ago, sending out poems and stories to magazines and journals that I wanted to appear in, and without any additional criteria, that made each submission a long shot. Now, I have no submission agent. I still have lots of manuscript copy lying around, and I feel even less desire to query editors and lick stamps than ever before. Get the drift here?

I studied/researched the self-publishing business for a long time before deciding to get involved. Founding West Main Productions, LLC, made me an official publisher, and I produced two collections of stories: Natural Causes (2008), and Do No Harm (2011). Working with The Troy Bookmakers of Troy, NY, I was able to make all production and marketing decisions for each book. The stories for the first book have been previously published in juried publications, as has one story in the second book. That assuages the “is this really acceptable work in the eyes of the gate keepers” worry.

Did I see that life was getting shorter, my publication time longer, and my dreams of literary stardom dimmer? Technology and confidence will lead you to Indie publishing.  Traditional publishing isn’t going away, but the Indie option is respected, and it’s really about the same thing as the traditional route: finding an audience for your work. Both avenues lead to the same place, and only a few of us pull up in front of the Pulitzer Prize stage, regardless of the route.

Who are some of your favorite authors?

A favorite author turns out to be one I trust to take me in and teach me, entertain me, show me light, swat me upside the head, nauseate me, love and respect me. A few favorites: William Kennedy, John Gardner, Denis Johnson, Ian McEwan, Margaret Atwood, Louise Erdrich, Cormac McCarthy, Richard Ford, Ray Carver, Sue Miller, Philip Roth. Many poets—James Wright, Tony Hoagland, Anne Sexton, William Carlos Williams, Walt Whitman, June Jordan, Jim Gustafson, et al.

Why do you write?

A much tougher question than it first appears to be. It’s like ‘fooling around and falling in love’. The more I do, the more I do. As I’ve grown older, I’ve lost people, places, jobs, sports and things, but reading and writing, not. Instead of limiting my idea of myself as a writer by genre, I’ve continued an early tendency to try new writing challenges while maintaining solid connections with my secret sharer, my conscience. Walt Whitman and Langston Hughes help me stay the course. I need the help. Thank you, Joanne, for this opportunity to think about these things.

Thanks so much Gary.  Here is a little about his life as an author.

Gary McLouth has published short stories in The Red Rock Review, The Cimarron Review, ELM, Studio One, Limestone, Minnetonka Review, The Baltimore Review and others. Poetry has appeared in Adirondack Life, Blueline, Emerson of Harvard, The International Poetry Review, Buckle &, and others.

http://www.amazon.com/Gary-McLouth/e/B00JGC7AII/ref=sr_ntt_srch_lnk_3?qid=1427644836&sr=1-3

Do No Harm book cover  Natural Causes

Natural Causes and other stories published by West Main Productions, and Gary’s second collection of short fiction, Do No Harm are available on Amazon.com in standard print or eBook format. Gary has co-authored Men and Abortion with Arthur B. Shostak, edited A Man Named Nebraska, Guilty Without Trial, and a number of other book-length manuscripts. TV scripts supporting shows on Culture TV, “Media Matters” on the Ion TV network. Gary co-founded Todays Authors, a studio talk show recorded for broadcast on its own You Tube channel as well as TV aired as a public affairs offering in Albany, Syracuse and Buffalo, NY.

Gary is the President of the Gulf Coast Writers Association, a member of the Sanibel Writers Group #3, a participant in the Poetry Alliance, a featured poet in the Art Poems Project and a reader in programs sponsored by Big Arts on Sanibel Island. Other associations have included: The New York State Writers Institute; The Foundation for Mental Health; Poets & Writers; the Association of (college) Writing Programs.

Gary earned a Doctor of Arts in English at SUNY Albany where he won the President’s Distinguished Dissertation Award for Death and Other Frustrations. A Professor Emeritus at the College of Saint Rose in Albany, NY. He has been an adjunct English professor at Florida Southwestern State College (formerly Edison State College) in Fort Myers since January, 2011.

Professional experience as an arts administrator, college administrator, speech writer, MC for non-profits, writing consultant and independent video producer contribute to Gary’s ability to serve the various needs of potential clients.

Posted in authors, characters, conflict, editing, fiction, writers

Show, Don’t Tell—Using Setting to Deepen Your Characters

Show, Don’t Tell—Using Setting to Deepen Your Characters.

This is way too good not to share.  Thanks Kristen Lamb. As always, excellent advise.

Posted in authors, editing, fiction, support, WFWA, writers

Editing Tip: 10 Words to Search For in Your Manuscript

Posted by Juliet Madison

I found these tips on Juliet Madison’s website. Thank you Juliet.  This is  a great tip.

When I’m editing, and before I do a final read through and tweaking of my manuscript, I use Microsoft Word’s ‘find’ feature to search for the following ten words. These words can usually be deleted in order to tighten up the writing and focus on ‘showing vs telling’.

1. almost

Sometimes ‘almost’ can work but often it’s not needed. Eg: With his sunken eyes and pallor he almost looked like a ghost. An example where it may work could be: She almost slammed the door in his face. Or instead of that, it could be changed to: She resisted the urge to slam the door in his face.

2. very

Usually there is a stronger word available to replace the need for ‘very’, or the phrase can be changed completely to something else. Eg: ‘very sad’ could become ‘despondent’. Eg: It was very sunny. Better: It was sunny. Even better: She squinted as the sun’s glare rebounded off the pavement and hit her eyes.

3. started

When this is used alongside ‘to’, as in ‘started to’, it’s probably not needed. Eg: She started to get dressed. Better: She got dressed. Even better: She zipped her jeans and put on a t-shirt.

4. began

This is similar to ‘started’. Eg: It began to rain. Better: Droplets of rain dampened her hair, or: He flicked on the windscreen wipers as rain blurred the road ahead.

5. stood up

Remove the word ‘up’. If someone stood, it’s obviously up.

6. sat down

Remove the word ‘down’. If someone is going from a standing position to a sitting position it is obviously ‘down’. Except if the person is lying down and then changes to a sitting position.

7. heard/hear

Removing ‘heard’ or ‘hear’ gives the reader a more vivid experience. Eg: She heard someone call her name. Better: A voice called her name. Eg: I could hear the rain pelting against the window. Better: rain pelted against the window.

8. saw/see

Same as with ‘heard’. Eg: She saw his face through the window. Better: His eyes glared at her through the window. Eg: I could see him coming towards me. Better: He came towards me.

9. felt

Telling a reader what a character felt is not as powerful as showing them. Eg: She felt relaxed and happy. Better: She leaned back in the chair and a smile eased onto her face.

10. just

Eg: If she could just find a way to get through to him, he might understand. Eg: “The shop is just around the corner.”

Posted in writers

Editing and Re-writes

ImageWhen do you know when you are truly done? Most of us could tweak till the moon turns blue. When do you stop editing?

Truthfully, you probably don’t. If you are fortunate enough to have a publisher or agent waiting for that next great American novel, the letting go may be just a little easier. If you don’t have a publisher or agent giving you a deadline, give yourself one.

We write the first draft, we polish, second draft polish again . . .  and on and on. By the time you have polished the third time, take a break away from it. Shove it into the farthest corner of your pc (or your mind) for at least a full two weeks- maybe more.

When you come back to it, look for credibility issues. Is your story believable? Does it have compelling storylines and interesting characters? Remember, the reader may not share the vision in your head. I have had my characters so fully formed in my mind that I did not notice they were paper cut-outs on paper. Have someone else read your manuscript start to finish without giving them your views. Let your beta reader enter your story world unbridled by your opinions and concepts of the story. If he/she can’t understand the theme, you are not done.

Then, with fresh eyes come back to it again and see if there is something that blatantly stands out as an error. If so, go back to the drawing board and fix them. However, if you only picking lint, let it go. When you get that agent or publisher, their editor will pill the wool. It’s not your security blanket (or sweater). If you are self-publishing, now is the time for that all important editor. Perhaps you hire one privately. Perhaps the publishing company you have chosen for your Indie publishing has an editor. Don’t skip the process.

Finally like letting the bird leave the nest, let it fly. Give it permission to soar. Give it your blessing and stand back. Well, not exactly. Now you have to start to market. But that is a whole new blog.

How do you know when you are done? When do you let go?